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طاقم العمل: فيلم - The Blue Max - 1966
طاقم العمل: فيلم - The Blue Max - 1966
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Today’s spotlight is on Jerry Goldsmith’s score for The Blue Max (1966), one of the rare and brilliant examples of fugal counterpoint in film music. In the famous aerial sequence, Goldsmith develops a full orchestral fugue: the subject is presented clearly, then pursued by different orchestral sections in a thrilling contrapuntal chase. The effect is both intellectual and cinematic — a perfect marriage of Baroque-inspired technique and the drama of 20th-century film scoring. This passage shows h
1:30
Today’s spotlight is on Jerry Goldsmith’s score for The Blue Max (1966), one of the rare and brilliant examples of fugal counterpoint in film music. In the famous aerial sequence, Goldsmith develops a full orchestral fugue: the subject is presented clearly, then pursued by different orchestral sections in a thrilling contrapuntal chase. The effect is both intellectual and cinematic — a perfect marriage of Baroque-inspired technique and the drama of 20th-century film scoring. This passage shows h
669 views10 months ago
FacebookHistory of Music
فيلم - The Blue Max - 1966 مشاهدة اونلاين، فيديو، الإعلان، صور، النقد الفني، مواعيد العرض
فيلم - The Blue Max - 1966 مشاهدة اونلاين، فيديو، الإعلان، صور، النقد الفني، مواعيد العرض
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History of Music on Instagram: "Today’s spotlight is on Jerry Goldsmith’s score for The Blue Max (1966), one of the rare and brilliant examples of fugal counterpoint in film music. In the famous aerial sequence, Goldsmith develops a full orchestral fugue: the subject is presented clearly, then pursued by different orchestral sections in a thrilling contrapuntal chase. The effect is both intellectual and cinematic — a perfect marriage of Baroque-inspired technique and the drama of 20th-century fi
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