Pamela Anderson, having underlined her indie film credentials last year thanks to her Golden Globe and SAG nominated turn in “The Last Showgirl,” has landed herself another lead role. The star is set ...

“Sally’s script is endlessly entertaining, and the cast she has drawn to the project speaks for itself. We can’t wait for audiences to enjoy it.” Potter previously worked with Dakota ...

It would be easy to miss just how commitedly Sally Potter’s first film in five years operates as trenchant political satire, because that’s an incomplete definition for what she’s achieved.

The British auteur tells THR about the power of shooting in black and white, her immersive approach to casting and how the Brexit vote loomed large over her Berlin entry. By Alex Ritman U.K ...

Potter spent weeks re-editing and finally realised that Rock and Glover’s scene felt too disjointed from the rest of the film, so reluctantly took it out. “The fault was with my structure ...

Sally Potter is nothing if not original. She made her name writing and directing “Orlando” – an adaptation of Virginia Woolf’s novel, previously considered unfilmable due to its 400-year ...

Sally Pottr. Picture ... to me and hope that I can write songs that might have that effect on others.” Potter only has one concert planned to promote the album – at London’s Cafe OTO ...

Sally Potter's adaptation of Virginia Woolf's classic novel – the film marking its 30th anniversary this year – starred Tilda Swinton as a time-travelling, sex-changing figure. It was a ...

“Sally’s script is endlessly entertaining and ... Known for her innovative arthouse style and risk-taking subject matter, Potter made her breakthrough in 1992 with her bold adaptation of ...