There’s nothing about “Alley Cats” that’s particularly interesting outside of how it reflects the current state of its ...

One of the few ingenious ideas Lucasfilm has had across its increasingly stale Disney+ “Star Wars” era has been handing ...

In Jane Schoenbrun’s “Teenage Sex and Death at Camp Miasma,” horror, cinema, and desire are intertwined. Though similar in ...

Early on in Todd Haynes’ “Safe,” an unwatched television broadcasts a half-heard report on Elizabeth Bouvia, a woman ...

The critic turned filmmaker talks about working within other people's sensibilities and his own memories of SoHo.

Spider-Man: Brand New Day” spins on a theme nearly as old as comic books: It’s tough to be a superhero. While the cost of ...

The Mythic Dimensions of Christophe Gans, author and RogerEbert.com contributor Scout Tafoya gets into the French director’s ...

USA Network’s “Anna Pigeon” is filled with beautiful Montana vistas (even if shooting took place in neighboring Alberta, ...

San Diego Comic-Con always has a few up-to-the-minute costumes (like someone dressed as Cyclospora lettuce), and a few looks ...

Sprinkled throughout the narrative of the sophomore season of “Diarra from Detroit” (relocated to Paramount+ after the ...

Even so, I was grateful for my time there, catching up with old critic friends, meeting distant faces for the first time, and ...

This is the question at the center of Julia Hart‘s latest musical drama, “Don’t Say Good Luck,” which stars Sunny Sandler (star of the delightful 2023 comedy “You Are So Not Invited to My Bat Mitzvah“ ...