While trauma and toxic masculinity linger like specters in the background of “If I Go,” Thompson-Hernández permits them to merely contextualize rather than overwhelm the drama. Case in point: Big ...

Ivar” is a four-minute monologue by Anne, a grumpy puppet with a furrowed brow and permanent frown, that begins with her noticing her husband Ivar’s rank scent as she lies next to him, trying to fall ...