Ensemble Pygmalion was founded 20 years ago by Raffaele Pichon, who is still their conductor and artistic director. It is remarkable among early music groups, as it comprises both choir and orchestra, ...

Prokofiev’s Music for Children is a cross between Schumann’s Kinderszenen and Mussorgsky’s song cycle In the Nursery. It is a ...

And that is an apt comparison, as Robert Wilson, the director of Mary said… has collaborated with Glass, notably in Einstein ...

The resulting show, Perle Noire, however, focusses less on Baker’s quite stupendous achievements, and more on her sense of ...

W it and beauty, pride and sorrow, self disgust and merriment, all the ingredients of Fingerless Theatre’s production of ...

There is no doubt that the three programs presented by the Ensemble Pygmalion were the sensation of this year’s Adelaide Festival.

This show, one of three by Broken Box Mime being performed at the Fringe festival, was essentially physical story-telling. Julia Cavagna and Kristin McCarthy Parker presented eight stories, mostly ...

Nonetheless, there has been a series of three piano recitals there, by the Finnish pianist Olli Mustonen, and I attended the last of these. In this concert Mustonen played three sonatas written around ...

An evening with Queensland Symphony Orchestra never disappoints but when it is a journey of the most famous music of legendary John Williams you know tonight will be no exception.

Nearly forty years on, David Williamson’s Emerald City is possibly more pertinent, poignant and passionate, the skewering satire and sparkling dialogue finding solid contemporary footing in Mark ...

Step aside The Boy from Oz, there’s a new contender for the title of ‘The Great Australian Musical’. Melbourne Theatre Company’s My Brilliant Career, based on the 1901 Miles Franklin novel has ...

A hit, a palpable hit, Hamlet Camp is full of wit, palpable wit. It begins with three poems, autobiographical, lyrical, wry, funny, each presented individually by the author/actor: Skip Retail Therapy ...