Installation view of Merce Cunningham: For Camera on the High Line (image by the author for Hyperallergic) In Locale (1980), a thirty-minute film collaboration between Charles Atlas and the Merce ...

Cunningham is centered in the book by Marianne Preger-Simon, which approaches her subject multiple times attempting to catch him off guard or see through his professional demeanor. Preger describes ...

Douglas Dunn has been making dances since 1971. His choreography has earned acclaim and awards, but presenters don’t call as frequently as they once did. That helps explains why, when Dunn was asked ...

Performances in N.Y.C. A Trisha Brown company tour recalls a time when Rauschenberg, one of the country’s most influential artists, was changing and being changed by American dance. Members of the ...