In the opening shot of Hell Or High-Water, the newest film from realist director David Mackenzie, a languidly turning camera pans across a dusty, pastel-colored parking lot of a West Texas bank, ...
It’s a genre that never goes away and never loses its appeal, though without a doubt, fewer of them have served as, say, a studio summer tentpole as the years have progressed. But every now and then, ...
Ten years after his collaboration with Taylor Sheridan on Hell or High Water, TIFF attendee David Mackenzie discusses a possible reunion with the Yellowstone creator. Sheridan’s dominance in the world ...
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