Steven Soderbergh tries to add nuance to the ghost sub-horror genre in Presence, but the film has two major plot holes that ...

In Presence, the director pairs the supernatural with social media’s propensity for encouraging bullies to do their worst.

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...

Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop ...

Award-winning director Steven Soderbergh talks about his unusual upbringing, falling in love with film and finally getting to ...

From Presence to Ocean’s 11, Soderbergh has directed every kind of movie but none ‘as good as The Third Man’, he says. So he ...

Before his career-altering castings on This Is Us and Stranger Things, Chris Sullivan’s biggest break came courtesy of one ...

From star-studded Hollywood heist films to modern noir to sci-fi to wild metacinematic experiments, we've ranked the prolific ...

If you’re suffering yourself, you notice the suffering of others more acutely.” For director Steven Soderbergh, “Presence” ...

Soderbergh didn’t capitalize on his success. Through most of the ’90s, he directed movies more suited to the arthouse than ...

The inventive director embraced POV filmmaking on “Presence,” his haunted-house film shot from the spirit’s perspective.

In Presence, cinema’s most shape-shifting director unveils his latest trick: a ghost story told from the spectre’s ...